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Caspar David Friedrich
Two men contemplating the Moon
1819(1819)
Oil on canvas
35 x 44 cm (13.78 x 17.32 in)
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Caspar David Friedrich
coucher de soleil sur la mer
mk289 1822 berlin nationalgalerie
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Caspar David Friedrich
Elbschiff im Fruhnebel
c. 1821
Oil on canvas
22.5 x 30.8 cm (8.86 x 12.13 in)
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Caspar David Friedrich
The Giant Mountains
1830 - 1835
Oil on Canvas
73.5 x 102.5 cm (28.94 x 40.35 in)
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Caspar David Friedrich
Wiesen bei Greifswald
1820-1822
Oil on canvas
35 x 49 cm (13.78 x 19.29 in)
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Caspar David Friedrich
landscape
oil on canvas
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Caspar David Friedrich
Old Heroes' Graves
1812(1812)
Oil on canvas
49.5 x 70.5 cm (19.49 x 27.76 in)
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Caspar David Friedrich
Morgennebel im Gebirge
1808(1808)
Oil on canvas
71 x 104 cm (27.95 x 40.94 in)
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Caspar David Friedrich
Schiffe im Hafen am Abend (Nach Sonnenuntergang)
c. 1828
Oil on canvas
31 x 25 cm (12.2 x 9.84 in)
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Caspar David Friedrich
Der Watzmann
c. 1824-1825
Oil on canvas
133 x 170 cm (52.36 x 66.93 in)
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Caspar David Friedrich
Riesengebirgslandschaft
c. 1835
Oil on canvas
73.5 x 102.5 cm (28.94 x 40.35 in)
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Caspar David Friedrich
Sunset
Date 1830
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Caspar David Friedrich
Sunset
Date 1830
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Caspar David Friedrich
The morning
1820-1821
Oil on canvas
22 x 30.5 cm (8.7 x 12 in)
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Caspar David Friedrich
Verschneite Hutte
c. 1827
Oil on canvas
31 x 25 cm (12.2 x 9.84 in)
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Caspar David Friedrich
Brennendes Neubrandenburg
c. 1835
Oil on canvas
72 x 101 cm (28.35 x 39.76 in)
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Caspar David Friedrich
By the townwall
1st quarter of 19th century
Oil on canvas
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Caspar David Friedrich
Segelschiff
1815(1815)
Oil on canvas
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Caspar David Friedrich
Morning in the Mountains
Date no later than 1823
Dimensions 135 x 170 cm (53.15 x 66.93 in)
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Caspar David Friedrich
Der Tempel der Juno in Agrigent)
c. 1830
Oil on canvas
54 x 72 cm (21.26 x 28.35 in)
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| Caspar David Friedrich
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1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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